Posts Tagged “free floating”

Divinations – Album Review and Radio Feature

Album cover: Divinations by eyes cast down

Design by Greg M, Photos by Greg M & Dasi.

Much gratitude to John Shanahan (Hypnagogue) for his enthusiastic review of my Divinations album, and to Brian at Our Place Radio for featuring the album on Feb. 25. Reaching such kindred spirits makes releasing the music all the more rewarding!

John says:

eyes cast down speaks in a quietly assured voice on Divinations, a suite of five pieces designed to be used for “inner work, healing and relaxation.” It’s something of a self-compilation, the first four tracks having previously appeared on multi-artist albums on the Free Floating netlabel and the last a recording of a live set composer Greg Moorcroft performed in 2012 and augmented in post-production in 2014. They come together here in a very pleasant, seamless and utterly relaxing flow. There’s no need to turn down the volume; Moorcroft’s pieces are naturally quiet, patiently carved in long, hushed pads and drones. His gossamer layers sit lightly atop one another, and even his most complex mixes of sound or percolations of texture land as more than a calm ripple. Which is wonderful. “Exquisite Divination of Patterns” sets the overall tone straight away with slowly circling ambient whispers, lightly Dopplered and paired against gentle keyboard notes. Moorcroft notes that this track marks his first use of soft synths. You’d never know, and you wouldn’t care; it’s enough to get carried off by the current of sound. And once you’re in it, you’ll stay there for the full voyage. Through the soft surroundings of “Crystalline” and on into “Radiant Perception.” This is where Moorcroft gets his “loudest” and the sound reaches its most active point. The sound here pulses, sounding a bit like a bowed instrument in spots. It’s got an interesting, almost hollow metallic edge and truly asserts itself over the meandering washes beneath it. Moorcroft goes heavy on the layers here, and the effect is nicely hypnotic. Acoustic guitar takes the forefront on “Snowdance in Starlight.” Moorcroft uses the instrument’s resonance beautifully, hitting hard, Hedges-reminiscent bass notes and letting them ring. Again, the layers here build, bringing the sustain and echo of the guitar into a constantly shifting background wash. “Ensō” is the live piece, nearly half an hour of complete immersion. Moorcroft laces in some bird sounds and prayer chant to further deepen the flow. On the chants, his voice is just a touch raspy–in a good way–and intimately close to the mic. It has the feel of ceremony, and the comparative coarseness of the voice contrasts the softness of everything else. A great way to spend half an hour.

I have been listening to Divinations quietly throughout several full work days, and left it looping in the Hypnagogue office. While I do recommend breaking out the headphones to get all the detail work, this album truly excels as an atmosphere enhancer. Whether you use it during your mediation or yoga or just letting it tint the air as you go about your daily routine, this is a release you’ll come back to. Absolutely worth listening to. Excellent work from eyes cast down.

, , , , , ,

Leave a comment

eyes cast down Interview by Headphonaught

Many thanks to Thomas Mathie for posting this interview and for his nice support! The original post is here.

Thomas, aka Headphonaught, is a music lover, artist and designer, and keeper of the We Are All Ghosts netlabel, the Circumambient podcast and the Nanolog blog. Don’t miss his interview with my colleague Scott Lawlor.

Seven questions with … Greg Moorcroft aka eyes cast down

There is something wonderfully spiritual about some forms of ambient music … I find these forms reach into my soul like no other music. The music may be created to be spiritual and then again it may not … but, due to its very nature, it is possible to project a spirituality onto it whether it be the deeply meditative of certain longform drones or the wildly joyful of more upbeat, trancey sounds … this is my ‘worship’ music now.

One proponent of this form of ambient music is musician Greg Moorcroft aka eyes cast down. His contributions to the Free Floating winter compilations all|is|calm are exceptional. I have recently obtained a promo copy of his latest album – Divinations – and look forward to digging into that.

As is my way, I asked Moorcroft if he’d be interested in answering a few questions for this ol’ blog. I’m delighted to say he agreed.

———-

1) Who are you and what do you do?
My name is Greg Moorcroft. I use the artist name eyes cast down. I am a composer, musician, recording artist and live performer. I work primarily – though not exclusively – in the ambient-atmospheric world.

2) What are you working on at the moment?
I’ve just released Album #2, Divinations, on my Kalindi Music label. Album #3, Pastimes of Creation, is very nearly finished, so that’s the priority now.

3) Who inspires you?
– Name an artist who has inspired you.
My main man is Steve Roach, whom I hugely enjoyed interviewing three years ago. His music provides an endlessly-deep well of inspiration.

– Name a place that has inspired you.
I love getting out into nature. The most inspiring place I’ve been to is Cranberry Lake Park in upstate New York, on a camping holiday.

– Name some “thing” that has inspired you.
Drumming. I go to a monthly group, which is tons of fun. I really should take my portable recorder next time, because some good grooves often magically appear.

4) What drives you to do what you do?
The word “drive” says it all. I have to make music. I don’t have any choice about it; it’s in my bones. I love it. I would do it for myself alone, if I had to, but being able to share it is better.

5) What values do you wish your creativity to express?
True spirituality, which requires humility; love, which can grow only from that point; the courage to undergo necessary introspection; and a delight in the amazing power of Creation, of which I aspire to be a medium.

6) What role does community play in what you do?
In this sense, “community” means “kindred spirits” who value the music as I do – as critically important, as soul-shaking, ritual, deepcore magic. It’s fantastic that such a community exists; for me, its hub is the Relaxed Machinery community.


7) What is next for what you do?
The next project is either: begin recording Album #5 (which is entirely written), or finish writing Album #6 (which is half written). After those are both recorded, I think it will be time for the Concerto for Ambient Orchestra project. That is going to be … something other.

———-

Thanks Greg.

The first four tracks of Divinations were all released on Free Floating netlabel – Conceptionall|is|calm 2011all|is|calm 2013, and all|is|calm 2012 – with the final piece, Ensō (a live laptop/softsynth improvisation with Avian and human voices added during postproduction in May 2014) originating from an art show in May 2012.

I’m glad to have all these tracks in one place and recommend you check out the album: Divinations.

, , , , , , , , , , , , , , ,

Leave a comment

The Receding Horizon: 2012 in Review

Three things are inevitable: death, taxes and year-end reviews…

2012. What a year it was! And it didn’t end early, after all…

First of all, many thanks to everyone who supported my musical explorations this year. Whether it was attending (or helping facilitate) a live event, spreading the word, keeping up with the music online, or whatever – y’all know who you are. Muchas gracias!

This year, I played my first live shows (six in all), which were a major learning experience, significantly changed the way I set up my gear, and yielded one album’s worth of finished music and a second album’s worth of work in progress.

In November we finished recording for the first album, The Separate Ones, completing a nearly seven-year odyssey. I expect to release it (on CD and by download) in late January. There will be a CD Release party at Royal Coffee in Chicago, and a streaming feature on StillStream (details to follow when ready).

In early November, I revisited the recordings of my live show on April 1, the multimedia jam with art painters Royce Deans and Tali Farchi, and determined to release them on yet-to-be-titled Album #4. The recordings need remixing and perhaps a few added brush strokes. Hopefully the entire art package will be Royce & Tali’s work.

With most of 2012’s studio time involving preparation for live events, the only finished compositions to emerge this year were Darklight Canon, which will be included on Album #4, and Snowdance in Starlight, which appears on the Free Floating netlabel’s third Christmas/winter collection, all|is|calm 2012.

In other compilation news this year, my early piece Last of His Breed made it onto two Sound For Good compilations: Oceans and S4G-Mix-I. The latter was a survey of the label’s entire output to that point, so being included was quite a feather in the old cap. Many thanks to Jack Hertz and Crazy Dymond, respectively, for choosing it! Last of His Breed was the last (and my favorite) of four formative early jams which launched my ambient journey in spring 2004.

Mini Djembe and Thunder Tube

Besides changing significantly in its arrangement, The Keep acquired some new gear this year: a Roland Loop Station, djembe, clay pot drum, mini-djembe, thunder tube, claves and a big loud shaker. I also picked up a couple of baskets for rocks and Go stones, cut five new claves from downed branches, made one shaker out of locust bean pods and another out of plastic curtain rings, and bagged fallen leaves for sampling. Many thanks to John Briggs for the loan of a mini-darbuka.

Now it’s time to be a studio hermit for a few months, so I can get some albums finished.

New Toys Dec 25-12

L-R: Centipede, Loud Shaker, Locust Bean Pod Shaker, unfinished Claves

So far, the best-laid plans for 2013 shape up something like this:

Pastimes of Creation, the Keshava-Lila trio album, just needs one more bit of recording. I hope to release it in mid-March.

Memory Palace, a collaboration album with Chris Russell (for which half of my parts are done), for the Relaxed Machinery label.

Album #4, which will be submitted to rM.

By this time, it should be spring (at least), at which point I’ll come out of the cave and play a home concert – at my place. If all goes well, the program will be six improvised pieces from the two September shows, which I hope to have worked up into final form. Those pieces should be Album #5. Highlights of their gestation can be heard on my Events page.

Album #6, Nuances of Illusion, with violinist Ezra Azmon (who tears it up on Like a Riven Cloud from The Separate Ones) providing source material for recycling. These last two will probably be released on my Kalindi Music label.

Then – after a short vacation – work on the long-planned covers album will begin the next phase.

Some compilation pieces and guest appearances are also in process:

Butterfly Effects, the James Johnson recycling album on rM, is cued up for release early in ‘13. My piece Two Fractured Mirrors is included, along with pieces from Altus, Disturbed Earth, Scott M2, Northcape and othersI also dreamed up the album’s title and acted as Info & Project Manager.

I’ll have pieces with Chris Russell (Particles and Waves) and Peter James (in progress) on the second rM artists’ comp, inFUSE, which title struck me through a nice dialogue with John Koch-Northrup and Steve Brand.

I’ve submitted a piece, Radiant Perception, for the Free Floating compilation a.m. If it makes the cut, a.m. will be the fourth Free Floating collection to include a piece of mine. Radiant Perception was the immediate follow-up to Exquisite Divination of Patterns (from Conception), and these – along with Crystalline (from all|is|calm 2011) – form a clearly-bound trilogy of softsynth pieces.

So far, the only live events I’m contemplating for ‘13 are a repeat at Daley Plaza and hopefully expanding the Carving Through Shadow workshop into an all-day deep dive. I’m always open to offers, of course…

Finally, as usual, it was a great year for music from my peers. In December alone, Steve Roach, Steve Brand and Max Corbacho all released awesome new work, to end the year on a high chord. Other releases of note came from Robert Rich, Lucette Bourdin, Andrew Lahiff, Chris Russell and Peter James. Low Volume Music by Steve Roach & Dirk Serries (returning from a ten-year hiatus) was the year’s coolest surprise and a major highlight.

Bring on the lucky ’13!

, , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Leave a comment

New Release: Free Floating Compilation “Conception”

Brad MacLeod-Ross is such an ardent fan of ambient/electronic music that he had to start his own netlabel to share it with as many others as possible.

Brad has just kick-started his Free Floating label by releasing Conception, a mammoth 3-hour compilation of 22 artists. I have the honor to be included in a select group of my highly-respected peers. These include Altus, Lucette Bourdin, Steve Brand, Disturbed Earth, Andrew Lahiff, Boris Lelong, Shane Morris and Phillip Wilkerson.

The label’s mission statement is a simple one:

“Free Floating Music exists to release and promote serene, peaceful ambient music – music that grows out of and flows through the silence around it, sculpting spaces for reflection, repose and rejuvenation.”

Unlike most albums, Conception doesn’t have a set running order. Brad encourages a “shuffle” approach to sequencing the pieces.

My submission, Exquisite Patterns of Divination, is my first original piece to be published, and also my first which was created using only software (Propellerhead Reason, recording into Ableton Live). This was due to certain strange circumstances, to be explained in an upcoming blog…

Album cover: Conception by Free Floating MusicWeaving the Patterns was so enjoyable that I immediately resolved to make an entire album in this serene softsynth-only mode, and put together its first piece, Radiant Perception, shortly thereafter. That project is on the back burner for the time being, but I expect to return to it next year. Circumstances again.

So, muchas gracias to Brad for his enthusiasm for the music, and best wishes to Free Floating Music for a long and successful life!

, , , , , , , , , ,

Leave a comment

Chicago Didjeridu Chorus

Welcome to the CDC blog!

Igneous Flame

UK based ambient music artist

Phillip Wilkerson

Ambient & Space Music

GAIA ORION

Visionary art participating in the emergence of a new conscious world

inbetweenthelinesbookseries

A great WordPress.com site

LEIGH DIPROSE

Some things in life are just meant to be enjoyed

Travels with the Blonde Coyote

Follow the Blonde Coyote and see more of the world!

draw and shoot

Shooting photographs, drawing lines...

esotericbeadweaver

Creative Inspiration, Philosophical Musings, and the Psychology of Beadweaving

Uprooted Magnolia

I am a freelance Photographer born and raised in the Southeast. I have uprooted my life in Macon Georgia for a new life as an unlikely cowgirl in love with a handsome cowboy in Wyoming. I hope you enjoy my photo journal on life, love, and the spirit of Wyoming.

Fellirium

Palace of sound

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: